One of the most acclaimed novelists in America today, Laura Lippman has greatly expanded the boundaries of mystery fiction and psychological suspense with her Tess Monaghan p.i. series and her New York Times bestselling standalone novels (What the Dead Know, Life Sentences, I’d Know You Anywhere, etc.).
Lippman brings back private detective Tess Monaghan, introduced in the classic Baltimore Blues, in an absorbing mystery that plunges the new parent into a disturbing case involving murder and a manipulative mother.
On a searing August day, Melisandre Harris Dawes committed the unthinkable: she left her two-month-old daughter locked in a car while she sat nearby on the shores of the Patapsco River. Melisandre was found not guilty by reason of criminal insanity, although there was much skepticism about her mental state. Freed, she left the country, her husband and her two surviving children, determined to start over. Learn more…
What They’re Saying about After I’m Gone…
“On July 4, 1976, shady businessman Felix Brewer escapes the law by fleeing suburban Maryland, leaving behind his wife, Bambi; three daughters; and a mistress, Julie Saxony. So begins bestseller Lippman’s finely wrought study of what it means to move forward without answers. When Felix met Bambi in 1959, it was love at first sight. Without telling her how, he promised they’d get rich. And they did, even if he wasn’t often home to enjoy it with her and their daughters. Julie—a stripper who loved Felix, despite knowing he’d never leave Bambi—wasn’t even Felix’s only bit on the side. When he ran, Felix made sure, or so he thought, that all his women would be looked after. Ten years later, Julie disappears. At first, rumors swirl that Felix came back for her, but when her remains turn up in a local park in 2001, the word on the street is that he killed her. Adept as always with character nuance, Lippman (And When She Was Good) uses Roberto “Sandy” Sanchez, a consultant who used to be a Baltimore cop, to dig into Julie’s cold case, and to uncover the secrets of the women Felix left in his wake.” —Publishers Weekly, BOXED/STARRED review
“In this stand-alone (adroitly linked to the Tess Monaghan series), Lippman focuses on the inner lives of the women left behind. . . . a masterly novel of character, with secrets skillfully and gradually revealed. Revel in the pace and pleasures of this book that should add to Lippman’s literary luster.” —Library Journal, Starred
“Lippman is a bet you just can’t lose.” —Kirkus Reviews, Starred